Richmond Photo Club Society – August27 Update

Summer in Richmond, BC, is a wonderful place to be. Public events occur throughout the season celebrating our heritage, the arts and the beauty that surrounds us. The Richmond Photo Club is a large part of this and contributes by volunteering and documenting these events.

On July 17th we participated in the 14th Grand Prix of Art. This event featured over 150 artists that are tasked with creating a painting within a three-hour time limit. Over 4000 visitors attended this event that was spread across three kilometers of beautiful Steveston waterfront! Photographers that are members of the Richmond Photo Club that day were Julian Rozental, Chuck Vaugeois, Fabian Dominguez, Grant McMillan, Laurie Lirette and David England. Photos from the event can be viewed here: http://grandprixofart.ca/blog/

On August 11th Family Farm Day at London Farm occurs. This is an annual fun filled family-oriented day that features food trucks, live music, arts and crafts and kid’s entertainment. Photographers from the Richmond Photo Club that participated in this memorable event were Julian Rozental, Elmar Theissen, Laurie Lirette and Gerry Boretta.

Our hope is that our contribution of photography to these community activities not only creates a record of them, but that it strongly contributes to promoting interest, engagement & participation in them!

NAPA – Fall Seminar 2024

Backyard Bird Photography – David will discuss his processf or capturing birds in your very own backyard. He will discuss how you can set up your own backyard studio to capture stunning bird images.


Landscape Photography David will discuss and share how he combines his training as an illustrator with nature photography, some ofthe rules of photography and how he often breaks them!


Macro Photography – One of the harest forms of photography but one of the most rewarding. David will talk about using what you already have in your bag to capture beautiful and sharp macro images.


Nature Photography – David shares stories, tips and techniques including making the most of your time in nature plus gear and setingsf or maximum enjoyment of nature photography.

You can have more informations by clicking here.

Speakers Series – Sept.2024 – Ian Plant

CAPA presents via Zoom : Ian Plant

English presentation : September 10, 2024

Pacific 4:00 PM – Mountain 5:00 PM – Central 6:00 PM – Eastern 7:00 PM – Atlantic 8:00 PM (Canada)

Theme/topic of the presentation: Visual Design Techniques for Creating Stunning Photos

In this presentation, professional landscape and wildlife photographer Ian Plant will share some of his favorite photos from around the world, as well as some of his top composition techniques for making artistic photographs that get noticed. Ian is the author of the critically-acclaimed, best selling ebook “Visual Flow: Mastering the Art of Composition,” which is now part of his Ultimate Photography Composition Course. You’ll gain a better understanding of visual design principles from this inspiring presentation, which will help you make photos that stand out.

You can see his work by clicking here.

Available to Individual CAPA members via the members only section of the website. Please login, go to Members > Zoom Invitation, copy and save the Zoom link before the presentation.

Speaker's Bio

Whether hanging over the rim of an active volcano, braving the elements to photograph critically-endangered species, or trekking deep into the wilderness to places most people will never see, world-renowned professional photographer Ian Plant travels the globe seeking out amazing places and subjects in his never-ending quest to capture the beauty of our world with his camera.

Known for his inspiring images and single-minded dedication to creating the perfect photo, Ian has reached hundreds of thousands of people around the world in his mission to inspire and educate others in the art of photography. Ian’s work has appeared in numerous photo magazines including Outdoor Photographer, Popular Photography, and Landscape Photography, among many others.

Ian has spoken at leading photo conferences including KelbyOne, Out of Chicago, and many others. Ian is also the author of dozens of books and instructional videos and founder of Photo Masters.

Enjoy a selection of his works below.

Tamron – 2024 June Sale

Capture every detail with Tamron and Save up to $200!

For a limited time only, save up to $200 on select Tamron lenses designed for your mirrorless camera. Take advantage of discounts on Tamron’s renowned Fast F/2.8 G2 lenses for Sony mirrorless cameras. Save $200 on Tamron’s compact and lightweight 28-75mm F/2.8 Di III VXD G2 delivers outstanding resolution and superb overall performance in a compact design. Additionally, save $150 on the 70-180mm F/2.8 Di III VC VXD G2, a top-tier telephoto zoom now equipped with vibration compensation.

Unlock the savings on these award-winning lenses and more, available now through July 7, 2024. Check it out by clicking here.

Tamron is an official sponsor of CAPA.

CAPA Digital Salon 2024 Update – June24

Greetings From The CAPA DIGITAL SALON 2024

Call to ALL Salon Entrants:

If you are attending the Gala Dinner and Salon Awards Ceremony in Kelowna, please contact me (Vice-Pres@CAPACanada.ca), as soon as possible, to be included at the Awards Presentation. Everyone receives a Certificate Of Participation, so please do let me know if you will be in attendance, allowing for the appropriate arrangements at the ceremony for you.

Also, this is your last opportunity until June 15th, if you are interested in purchasing the limited edition, in print, Salon Catalogue featuring all the awarded images, in gloss color magazine style; you may e transfer $25 to CapaOffice@CapaCanada.ca – the publication will be mailed to you mid-July. Besides being a collectible, this catalogue will be most useful to study: see what the judges like, and to ‘up your game’ in preparation for the next salon. Non-Salon Participants can order a copy, as well.

If you would like to see how your images are performing while our elite jury of judges continue their scoring process, you may log into your account at https://theiaap.com/e/capa/index.php

Please do not hesitate to reach out if you have any questions.
Until next time…

 

Joyfully,
Shiree Jetha, MCAPA ACAPA
FIRST VICE PRESIDENT & SALON DIRECTOR

FIAP Photo Academy – July24 – Upcoming Online Events

 

Monday July 8th, 2024 at 11 am PST (Check out the correct time zone for where you live.)

Presented by the FIAP Photo Academy Online Events – Bears and Cowboys with Lisa Langell

A nature photographer and birder from the age of eight, Lisa is the founder of Langell Photography, LLC. She started her business in 2010 after a long careers as a floral designer, educational psychologist, consultant and in helping launch and manage two startups that grew into leading companies in the Ed-Tech space.

Since then, Lisa has earned numerous awards and has been published in Outdoor Photographer, Arizona Highways, Ranger Rick, Images Arizona, and more. She is an Image Master for Tamron Americas, an Ambassador for Fotopro Tripods, and is a judge for ViewBug.

Lisa loves creating nature photography and art that is inspired by her background in psychology and design. When Lisa isn’t having fun making photographs, she’s thriving on teaching photography—both via engaging online/webinar-based classes and in her in-the-field sessions. Lisa specializes in Alaska, Florida, Arizona and beyond. Her humility and passion for teaching and photography shines through! Lisa provides photographers with memorable, fun, and caring experiences that enrich, invigorate and expand photographers’ skills and portfolios in wonderful ways.

This presentation will concentrate on Lisa’s images of Bears taken in Alaska and on Cowboys taken in Arizona. It will be interesting, inspiring and educational.

If you haven’t seen Lisa’s work before do take a look at her website:  http://www.langellphotography.com

Lisa’s social media sites are:
Facebook: https://www.facebook.com/lisalangell/ and https://www.facebook.com/LisaLangellPhotography/
Instagram: https://www.instagram.com/langellphoto/
YouTube: http://www.youtube.com/Langellphotography

You must register to attend using this link: https://bit.ly/4aL4jGG

*Do not share this link, access is a benefit of your Individual CAPA membership.

Toronto Camera Club – Free Summertime2024 Zoom Meetings

Hi everyone,

Via Zoom, the Toronto Camera Club invites everyone to join in any or all of our 6 FREE Summertime Zoom Meetings!


The Meetings consist of attendees showing/talking (if they wish) about their submitted images that align with the Meetings’ Themes. Images to be shown must be submitted to the host at gareth.jones@torontocameraclub.com no less than 2 days prior to the Meeting.

Please note: This is not a competition although submitters are welcome to ask for comments about their images.

 

  •  June 19 – Theme: What is it? A closeup/macro image of anything you like but with some mystery about it so that attendees can guess what it is, plus an image of the actual object/item/thing. Maximum 3 images + their reveal images
  • July 3 – Theme: Black and White. Anything that takes your fancy. Maximum 3 images
  •  July 17 – Theme: Made of Glass. Anything that’s made primarily of glass. Maximum 3 images
  • July 31 – Theme: Lines in Architecture. Maximum 3 images
  •  Aug. 14 – Theme: Minimalist images. Maximum 3 images
  •  Aug. 28 – Theme: Bingo Night. Images from recognizable locations around the Globe. The submitted images will be randomized and then all attendees will play a game of photo Bingo. Maximum 3 images

 

The Zoom Meetings are all Wednesday evenings, starting at 7:30pm:


So, come on and join us whenever you can.

 

The Zoom link is:


https://us02web.zoom.us/j/84279002270?pwd=aY356W0wyII0aUBUJIoWaQfAP1E1M1.1


Meeting ID: 842 7900 2270
Passcode: 819093

 

Cheers!

 

Gareth Jones, TCC CAPA Rep.

Victoria Camera Club 80th Anniversary Update

Victoria Camera Club (VCC) continues to celebrate its 80th Anniversary. On May 16th, a Gala and Internal Competitions Year-End Awards Night was held and 65 presentations were made to Novice, Intermediate, and Advanced members in these categories: Open, Altered Reality, People, Nature, Theme, Print Open, Monochrome Print, Nature Print, and Open Print. Additionally, Distinguished Photographer plaques were awarded to Jake Saito (Novice), Tom Stewart (Intermediate), and Kathryn Delany (Advanced).

On June 1st, VCC members participated in ‘A Day in the Life of Victoria’ fun shoot, to capture what happens in our communities, within a 24-hour period. As an open theme – animals, birds, insects, landscape, cityscape, nature, people, domestic animals, and wildlife were permitted as well as creative composite images.

The Club is also gearing up for a Print Show, this fall. Scheduled for September 2024, the show will include two juried categories: a stand-alone print category featuring individual prints and a triptych category featuring series of three related prints. The Show will be held in downtown Victoria. VCC is a diverse group of photographers, and we welcome the opportunity to showcase the work of members from all experience levels.

June 2024 Competition News

Enhancements to the “CAPA Stance on AI-Generated Images in Photo Competitions”

This document has been and now identifies new applications that contain Generative features which are not permitted in our photo Competitions. List includes:

  • Canva – contains – Generative Expand, and Generative text-to-image creation.
  • Lightroom (includes beta 13.3) – now contains – Generative Remove.
  • Luminar Neo – contains – GenErase, GenSwap & GenExpand.
  • Photoroom – contains – Generative Expand, Generative Fill, Generative Background and Generative text-to-image creation.
  • Photoshop 2024 (includes beta 25.10) – Generative Fill, Generative Expand, Generative background, and Firefly AI Generative text-to-image creation.
  • Picsart – contains – Generative Replace and text-to-image creation.
  • Pixlr – contains – Generative Fill, Generative Expand, and Generative text-to-image creation.
  • Stylar AI – contains – Generative Fill, Generative Expand, and Generative text-to-image creation.

 

Zone Competitions

All of our five (5) Zone competitions for 2024-2025 have been updated to include the following:

  1. Photographers can request to elevation to a higher skill-level with supporting rationale. Request to lower skill-level will only be undertaken in exceptional cases.
  2. Rationale for the change – Our Zone Skill-Level assignment of a skill level for the Intermediate and Advanced is based the recognition of achievements in our Association.
  3. We do recognize that photographers have received accolades and recognition from other reputable photographic associations, societies, and competitions. For these photographers, they may choose to submit a request, along with appropriate supporting documentation to have their skill level elevated to either Intermediate or Advanced, to better align their proven abilities.
  4. To proceed with the skill elevation, the entrant would need to forward me (competitions@capacanada.ca) an email outlining their achievement and sources where these achievements can be verified.

For Zone competitions only, judges will score all of the images, and additionally one judge will ONLY provide comments on each image submitted into the novice skill category.

Rationale for the change – is that photographers in the Intermediate and Advanced skill levels have already received recognition for their photographic skills and abilities. Consequently, constructive feedback from judges is most beneficial for those in the Novice category, as they are still developing their skills and abilities.

By allocating dedicated commentary from one judge specifically for Novice entrants, we aim to provide valuable guidance and insights to support their growth and improvement as photographers.

 

Annual Photo Challenge

The final competition report can be viewed by first logging into the CAPA website then navigating to the Competitions Report option from the Competitions dropdown menu.

If the Competitions Report option is now visible then your login was not successful. Please try again.

Winning images can be viewed by clicking here. 

Richmond Photo Club Society – June24 Update

The votes are in! During the Richmond Photo Clubs Photography Show at Lansdowne Mall in Richmond BC last month, the club reached out to the public to vote and comment on their favorite images. All votes were anonymous.

There were over 400 ballets cast and overwhelmingly the popular vote went to Jason Li!

The club displayed several of Jason’s Owl images all of which were captured locally in Richmond, BC.

We’ve attached a few of them here for your viewing pleasure. Other examples of Jason’s work can be seen using his provided Instagram link.

Jason Li (@jason_li_photo) • Instagram photos and videos

Canadian Photography Conference Kelowna 2024

KELOWNA 2024

The excitement is mounting for the Canadian Photography Conference, particularly for myself as final details are put in place. Activities increased in the past few weeks, with UBC assigning the final room bookings for the Speakers and Meetings. Lynda Miller and I had a chance to taste the GALA Dinner offerings and finalized the Gala dinner music. The committee has been contracting transportation, sound systems, gathering attendee bag information and working on the many small details needed for the Conference.

The line-up of speakers continues to grow with the additions of Rafal Weigel and Jim Brompton.

Note some of the important dates:

  • May 23, 2024 – UBC Kelowna accommodation Conference Block will be released – after this date all rooms are at normal rates and on an as availablity basis – Book before this date to get conference preferences.
  • June 9, 2024 – GALA Dinner bookings close, don’t miss this fun gathering
  • June 9, 2024 – Conference Full Registration closes – day rate only will be available after this date.

We will soon send many other details to those registered for the conference.

If there are other questions feel free to contact the committee at conference@capacanada.ca

See you soon in Kelowna.

Henry Schnell
Conference Chairman

Conference Speakers - Plenary Speakers

Breakout Session Speakers

The Okanagan and Kelowna

The Okanagan Valley, with its unique geography, attracts visitors who come to hike the trails and paddle the lakes. It’s a vacation playground on the surface but dig a bit deeper and you’ll discover just how deep its roots go. Those tidy orchards, bucolic farms and scenic vineyards grow the fruit and vegetables for farm stands and restaurants, the grapes for award-winning wines, and the wild ingredients to forage for food or medicine.

When French Catholic priest Father Pandosy planted Kelowna’s first wine grapes in sandy soil back in 1859, he had no way of knowing that over 150 years later the Okanagan Valley would be the wine capital of BC.

Cradled within a glorious range of mountains, is a sanctuary filled with pristine lakes, pine forests, abundant gardens, orchards and vineyards, sandy beaches and other superb amenities. Stretching from north to south for approximately 135 km (84 miles) is beautiful Okanagan Lake. The lake sustains several diverse communities along this corridor known as the Okanagan Valley. The Okanagan Valley has a semi-arid climate, boasting long warm summers and short mild winters. The city of Kelowna is the largest community and is located midway through the valley. It has a metro population of over 230,000 and is the transportation, business and service hub of the valley.

Kelowna has miles of beautiful parkland and several sandy beaches which provide wonderful opportunities for boating, swimming, water-skiing, windsurfing and fishing. As well, you can hit the links at one of our many golf courses nine months out of the year. In cooler months, our snow-capped mountains and pine-filled forests are a haven for skiers, boarders, snowmobilers and outdoor adventurists of all types and levels.

The city name of KELOWNA originates from the syilx First Nations word for grizzly bear.

Orchards and vineyards thrive within a 10-minute drive from the downtown core and provide seasonal delights year-round. You can pluck ripe cherries or juicy peaches from trees or spend a delightful day sampling the award-winning wares of the internationally acclaimed wineries. The Spring, Summer and Fall Wine Festivals offer hundreds of activities focused on winemaking, tasting and touring.

That’s not all. Kelowna’s growing Cultural District covers a six-block downtown area and features a concentration of galleries, museums, theatres, a casino, artists’ studios, fine dining, unique shops and a vibrant cultural life all year long. Come and enjoy Kelowna as is hosts the 2024 Canadian Photography Conference.

Annual General Meeting 2024

Annual General Meeting June 26, 2024 at 4:00 PM - Pacific Daylight Time

The Annual General Meeting of the Canadian Association for Photographic Art will be held on June 26, 2024 at 4:00 PM Pacific Daylight Time at the Canadian Photography Conference in Kelowna, B.C.

Please note that we are returning to an in-person format and the meeting will not be held through video conferencing such as Zoom.

All current CAPA Individual and Family Members are welcome to attend and can register by sending their name by email to the Secretary of CAPA or can register in person before the meeting in Kelowna.

CAPA Clubs: All current CAPA clubs can designate one representative to vote on behalf of the club. The club representative must register by sending their name to the Secretary of CAPA no later than 24 hours before the start of the AGM.

Those members not able to attend in person may complete a Proxy form giving their voting rights to secretary@capacanada.ca who will record their vote accordingly at the AGM Meeting. Proxy-Form-EN-.pdfProxy-Form-FR-.pdf

The Election Slate will comprise the five Zone Director and six Program Director positions for the 2024-2026 term.

In case of postponement an official notice will be posted on the CAPA Website.

 

All Documents – right click on document file to download and save link as.

AGM-Notice_EN_FR.pdf

CAPA-AGM-Agenda_EN.pdf

CAPA-AGM-Agenda_FR.pdf

Draft-Minutes-of-CAPA-2023-AGM_EN.pdf

Proxy-Form-EN-.pdf

Proxy-Form-FR-.pdf

 

Notice of Election of CAPA Executives: Term 2024-2026 

POSITION

NAME

STATUS

Director of Competitions

Sheldon Boles, FCAPA

Incumbent

Director of Communications

Parvez Khatib

Interim

Director of Education

Dan Sigouin

Interim

Director of Judging

Glenn Bloodworth, FCAPA

Interim

Director of Membership

Kayla Stevenson, FCAPA

Incumbent

Director of Photographic Imaging

Dr. Bob Ito, FCAPA, Hon. FCAPA

Incumbent

Atlantic Zone Director

Rejean Pitre

Interim

Quebec Zone Director

David Boutin

Interim

Ontario Zone Director

Brent Groh

Member

Prairie Zone Director

Allan Reich

Member

Pacific Zone Director

Jason Duncan

Member

 

David Laronde, FCAPA,

Chair, CAPA Nominating Committee

Image Critique Nights

Hosted by the CAPA Education Committee, these sessions are for Individual CAPA Members only as a benefit of your membership. Members can submit 1-2 images in advance, which will be shared by the meeting host via screen share on Zoom. 

The sessions will be open to all individual CAPA members who are interested in receiving feedback on their images. These nights will also serve as a dedicated practice for members that have taken the CAPA Judging course and want to strengthen their skills in image evaluation.

Sessions will be scheduled for the 3rd Thursday of each month, starting Sept 2024 starting at 5:30 PM Mountain time.

Image critique nights for 2024-25:

  • Sep 19, 2024
  • Oct 17, 2024
  • Nov 21, 2024
  • Dec 19, 2024
  • Jan 16, 2025
  • Feb 20, 2025
  • Mar 20, 2025
  • Apr 17, 2025
  • May 15, 2025

 

Individual CAPA members can join the Zoom meeting via the link provided in the members only section of the website.

For submission instructions, go to Members > Zoom & YouTube Live Invitation > Image Critique Nights.

 

CAPA Digital Salon 2024

CAPA DIGITAL SALON 2024: A HISTORIC MILESTONE IN PHOTOGRAPHY

On Friday, May 3rd, at Midnight PST, the CAPA DIGITAL SALON 2024 closed for entries, with last-minute submissions flooding in from all corners of the world. As Salon Director of this prestigious CAPA global event, I am overwhelmed by the incredible response from participants worldwide, and most especially from our CAPA community. Submissions poured in from 48 countries with an astonishing 4,456 images uploaded; this year’s inaugural salon has truly made history as the biggest and most diverse photo competition in the history of CAPA, since 1947.

Now, as we eagerly await the upcoming awards ceremony on June 28th, I am pleased to announce that our elite jury of judges has already commenced the scoring of the images. Their expertise and discernment promise to deliver a fair and captivating selection of winners across various categories, to the likes of Grand Master Worldwide to Canadian Rising Star, to Photographer Of The Year to Best Author.

The CAPA DIGITAL SALON is not just a competition; it is a celebration of creativity, innovation, and the boundless possibilities of photography. Whether you are a seasoned expert or an aspiring novice, we welcome all photographers to participate in this inclusive event. I am particularly proud of the diverse range of talent that have graced our salon this year, showcasing the richness and variety of perspectives within the global photography community, under the umbrella of the Canadian Association For Photographic Art.

Looking ahead, our President, Stella d’Entremont and Sheldon Boles, Salon Moderator, and I, are excited to announce that plans for the CAPA DIGITAL SALON 2025 are in the works, with the date to be announced later this summer. We invite photographers of all backgrounds and skill levels to join us in making next year’s salon even more spectacular, with an even bigger Rrrrrummmble than before! And you are getting a big headups to prepare your images for submission. Remember, this competition is open to the public, and no membership is required to participate. Come one, come all. Start capturing those captivating moments that deserve to be shared with the world.

If you are interested in purchasing a Salon Catalogue Keepsake, magazine style in print, whether you were a participant in the Salon or not, this is your last chance to order your copy, before Sunday May 19 th . You may etransfer $25 per copy to CapaOffice@CapaCanada.ca.

In closing, I extend my most heartfelt gratitude and best of luck, to each and every participant of our inaugural salon, who has contributed to the success of the CAPA DIGITAL SALON 2024. Your passion, dedication, and talent have truly made this a historic milestone in the legacy of CAPA. Together, let us continue to push the boundaries of photography and inspire generations to come.

 

Faithfully yours,
Shiree Jetha, MCAPA ACAPA
CAPA Salon Director and First Vice President
Vice-Pres@CapaCanada.ca

 

May 2024 Competition News

Clarification On Role of Pre-Screening Committee

Given the heightened concerns regarding the potential misallocation images be
allocated the wrong theme, I have revised my instruction for judges as follows:

For our CAPA competitions, we established a Pre-screening Committee tasked with
reviewing all submitted into a competition prior the closing of a competition. Their role is to address any potential issues based on specific criteria:

  • Ensure image falls within the competition
  • Check for ‘hand-of-man’ in the Nature/Wildlife competition
  • Check for any sexually explicit content
  • Verify no photographer/club names are visible on the surface of the image
  • Check that the image titles are not just “no-title”
  • Determine if judges have entered their images into a competition they are judging
  • Check for images that may appear as a trademark owner-sponsored image any
    potential trademark violation
  • Identify any images that contain clues of an AI-generated images or images enhanced
    with generative features

If any issues are discovered, the committee contacts the entrant for corrections before the competition closes. Once the judging begins, no re-submissions or are permitted.


The Pre-screening Committee may occasionally miss a questionable image or hand-of-
man’ because of the sheer volume of images being reviewed.


When an image is deemed to be in the ‘gray-area’ of compliance with the Scope of
Competition then the entrant will be given the ‘benefit-of-the-doubt’ and image will
advance to the judging process.


Regarding theme validation, I’ve instructed the committee not to proceed with it. My
rationale is as follows:

  • Entrant bears the responsibility to carefully read and comply with the competition rules, including theme selection.
  • By not validating themes, we encourage entrants to thoroughly read and comprehend
    the rules. Validating themes creates an expectation of hand-holding, which may
    undermine the learning process.
  • Themes can be subjective and open to interpretation, leading to potential inconsistencies and disputes if validated. Leaving the interpretation to the judges encourages a more objective and unbiased evaluation.
  • The Competition team will not amend submitted image themes without the entrant’s
    approval to avoid potential disputes.

 

As the Director of Competition, I have repeatedly encouraged entrants to contact me for
clarification on all aspects of our competition which includes theme selection.

Judges may deduct 0.5 to 1.0 point for images entered into incorrect themes, rather than
disqualifying them outright. Disqualification by judges is reserved for exceptional cases
provided that two or more judges are in agreement.

During the judging process, CAPA aims for fair evaluations without overly penalizing
entrants. If significant score variance occurs, judges are encouraged to re-assess and
discuss the image with fellow panel members. This process fosters consistency across
judgements, though judges aren’t obligated to alter their original scores.

CAPA’s priorities are maintaining competition integrity, fostering learning opportunities for
entrants, and providing proper guidance.

 

Delayed Closing For 2024 Four Nations Competition

The 2024 competition, hosted by the Australian Photographic Society is undergoing
some adjustments. Traditionally, the deadline for submissions has been June 24 of
each year.

However, due to unforeseen circumstances, their competition coordinator had to
step down at the end of March 2024.

A replacement coordinator has requested a two-month extension for the deadline to
allow for a smooth transition and to permit their society to select their top 80 images.
This request has received unanimous support from all Four Nations Committee
members.

A panel of CAPA judges has already selected the top 80 images from 80
photographers, selected from submissions to our 2024 – 2024 competitions.

 

Atlantic Zone Competition

Winning images can be viewed here:

 

Prairie Zone Competition

Winning images can be viewed here:

 

Canada: My Country Competition

Winning images can be viewed here:

Elevating Your Photography

Elevating Your Photography

*Image courtesy of Manfred Mueller

 

Elevating Your Photography

The education team is pleased to announce an online presentation on composition and creating wow images. We are offering this 45-60 minute presentation to medium to small clubs in the next camera club season, starting in September 2024.

CAPA trains its judges to consider the way the technical aspects of an image have been executed, how the elements have been arranged and the emotional impact the image has on the viewer. As this is how competitions are judged, club members are interested in this information to improve their own work.

Most photographic training materials concentrate on the technical aspects of photography. When it comes to materials on Composition, it tends to be directed at the “Rules of Composition”. Materials on creating images that make an emotional connection with the viewer are not generally available.

This presentation deals with these two elements of an effective image; how the elements of the image are organized. Composition, use of (negative) space and distracting elements in the image. It also covers how a strong image creates an emotional connection with the viewer, mood, impact, subject and imagination.

The presentation shows how many of the great photographers, both present and past approached these concepts. Numerous examples demonstrate these principles using the presentation’s author, Manfred Mueller’s works.

Some time is spent cautioning against a “cookbook” approach to composition and demonstrates the shortcomings of several of the well known “rules of composition”.

If you are interested in this 45 to 60 minute presentation, please contact Dan Sigouin to help organize and schedule the presentation with your club.

 

Dan Sigouin – CAPA Director of Education – education@capacanada.ca

Richmond Photo Club Society – May24 Update

The Richmond Photo Club displayed 80 of its members images in Richmond’s Lansdowne Mall from April 25th to the 28th During this event the public was invited to fill in a ballet indicating which image was their favourite. All votes were anonymous.

Over 400 ballets were filled in! The club is still in the process of tabulating the results. The positive response from the public was overwhelming and indicates the high level of enjoyment that the community receives from events of this nature.

The Richmond News also published an article on this event which increased the public’s awareness of the show. Here a few photos of this event.

Three images showing Gerry, David and Kyoko beside their images and two showing the public at the exhibit

Content Authentication – Photographs vs AI-Generative Images

Content Authentication – Photographs vs AI-Generative Images

By Sheldon Boles

Artificial Intelligence generated image in Midjourney by Dr. Robert Ito.

Introduction

Generative AI is creating highly realistic synthetic images, presenting challenges for photographic organizations to distinguish these from real photographs.

This article offers guidance on detecting AI-generated images through two methods: Subjective Image Assessment and Objective Technical Analysis.

Key Generative AI Terms

In this article, the following terms will be introduced, and their definitions are outlined below:

  • Text-to-Image – creating images algorithmically from text prompts without original photographs.

  • Image In-painting – system feature which realistically predicts missing image elements or adds a requested element provided from the AI-generative system’s dataset of images scraped from the internet.

  • Image Out-painting – expanding the visual contents of images beyond their original dimensions.

Subjective Image Assessment

This type of analysis relies on human judgement to visually identify AI images inconsistencies such as:

  • The image appears excessively spectacular and lacking natural imperfections.

  • Image appears to be unrealistic.

“Unrealistic and Distorted Face” – Dream Studio AI generated by Sheldon Boles

  • Inconsistencies in the direction of lighting, shadows, or reflections such as the mismatched reflections in the eyes.

“Inconsistent Lighting” – NightCafe AI generated by Sheldon Boles.

  • A landscape that is not representative of an actual geographical location.

“Unrealistic Location” – generated by Dream Studio AI – Sheldon Boles

  • A closeup examination may reveal physical human oddities, such as distorted faces, the absence of blood veins in eyes, eye’s iris & public are not circular, excessively smooth skin, unnatural representation of fingers, toes or legs.

“No blood veins in Eyes” – AI-generated image by Sheldon Boles

“Unrealistic human features” – AI generated image by Sheldon Boles

  • Closely examine all the details contained within an image for the purpose of identifying unrealistic discrepancies and strange artifacts.

“Oddities contained in image” – AI generated image by Sheldon Boles.

  • Motor vehicles may seem unrealistic with other clues being license plates and vehicle identifying lettering are nonsensical.

“Unrealistic vehicle and nonsensical letter on license plate” – AI generated image by Sheldon Boles.

Many of these imperfections can be corrected by refining the generative AI prompt, employing negative prompts, and subsequently regenerating the prompt.

One major challenge for all generative AI systems that generate images and text is ensuring the text accurately reflects the visual content. Currently, some methods to add this challenge includes:

  • Using AI techniques like in-painting to replace generative text.

  • Specifying the exact text in double-quotations within the AI prompt.

  • Using a post-processing application to insert the required text into the generated image.

AI image of a movie marquee generated in Dream Studio AI by Sheldon Boles.

Humans usually excel at identifying errors or logical inconsistencies in images due to their innate ability to recognize visual patterns. However, the performance of humans is quite variable and depends on personal experience and diligence and cannot be relied upon in many instances of recognition of AI images. As technology progresses, relying on subjective image analysis to identify AI clues will become progressively even more difficult to differentiate AI-generated images from photographs. More reliable and objective methods are needed and such methods are described in the next section.

Objective Technical Analysis

These types of technical assessments evaluate images using impartial quantitative metrics to identify patterns, attributes, and anomalies. It examines distinctive features, color values, resolution, and noise. Other tools include image metadata analysis and reverse image searches. All these processes use standardized techniques for evaluating images.

Two categories of AI generative images were analyzed:

  • Generative AI text-to-image

  • Photograph enhanced with Adobe Photoshop 2024’s generative AI features (generative fill/remove elements and expand boundaries of an image)

Specific impartial metrics were used to analyze each of these two categories.

Generative AI text-to-image

For these images, two AI classifiers were selected: AI or Not and Hive AI Detection websites.

Both of these websites function as machine learning services, analyzing the surface content of images to determine whether they originated from a photograph or were generated by an AI system.

To evaluate the accuracy of these systems in detecting AI generative text-to-image creations, an image dataset was compiled, consisting of 900 rendered from nine different AI-generative text-to-image systems and 100 camera-captured images from our CAPA 2020-2021 competitions:

  • Adobe Firefly 2 text-to-image (100)
  • Dream Studio (100)
  • Meta AI (100)
  • NightCafe (100)
  • Stable Diffusion (100)
  • Bing AI (100)
  • Leonardo AI (100)
  • Midjourney (100)
  • SeaArt (100)

photographs (100) from a wide range of genres

With the exception for Adobe Firefly text-to-image creations, both of these detection systems exhibited a high degree of accuracy in correctly identifying photographs and Generative AI text-to-image creations:

  • AI or Not – average reliability 97%

  • Hive AI Detection – average reliability 99%

Hive AI Detection’s analysis of a Midjourney AI generated image.

However, these systems faced challenges in identifying Adobe Firefly text-to-image rendered images:

  • AI or Not – reliability 36%

  • Hive AI Detection – reliability 63%

Both detection systems likely encountered challenges in identifying Adobe Firefly AI images due to Firefly unique approach:

  • The primary dataset comprises genuine Adobe Stock photographs, distinguishing it from other AI generative systems that scrape elements from billions of internet photographs.
  • The dataset includes publicly available images that are no longer under copyright restrictions and from other external sources.

Combining diverse photograph sources into a unified dataset, along with leveraging Adobe’s machine learning algorithms, allows for the “automatically enhance image quality, remove imperfections, and even transform ordinary images into extraordinary works of art.”¹
Despite the photorealism, all Firefly images lacked any camera data and contained minimal metadata tag details. Some had AI inconsistencies upon closer inspection. A combination of subjective and objective analysis may be required to identify AI-generative images.

¹Usmani, Hisham. Unlocking Enhanced Experiences with Adobe Sensei AI and Machine Learning, 11 Aug. 2023, medium.com/@hishamusmani/unlocking-enhanced-experiences-with-adobe-sensei-ai-and-machine-learning-4871625b430. 

Photograph enhanced with Adobe’s Generative AI features

The most recent release of the 2024 version of Photoshop contains two
AI-generative features:

  • Generative Fill (in-painting) – is a generative AI tool for non-destructive image editing that leverages text prompts to populate or remove part of an image with realistic AI-generated elements without a text prompt.

  • Expand (out-painting) – uses generative AI to seamlessly augment photographs beyond their original dimensions, intelligently generating additional visual content that naturalistically matches the existing scenery.

In parallel with this introduction, Adobe also introduced them
“Content Credentials in Photoshop”² which states:

Adobe automatically applies Content Credentials to assets generated with Adobe Firefly features, such as Text to Image, Text Effects, Generative Fill, Generative Recolor, and Text to Vector Graphic. This is done as part of Adobe’s commitment to supporting transparency around the use of generative AI.
The following non-personal identifiable information is always included in Content Credentials automatically applied to assets generated with Adobe Firefly features:

  • Output thumbnail: visual thumbnail of the output; displays only for outputs generated using the Text to Image feature in the Firefly web app
  • Issuer: Adobe Inc., the organization responsible for issuing the Content Credential
  • Content summary: a notice that Adobe generative AI was used in the creation of the asset
  • App or device used: the Adobe software application or hardware device used to produce the asset
  • AI tool used: the Adobe generative AI tool used
  • Actions: the general editing and processing actions taken to produce the asset. Only “Created” or “Other edits” actions will be listed for assets generated with Adobe Firefly features.”

² Content Credentials in Adobe Firefly, Adobe Corporation, 10 Oct. 2023, helpx.adobe.com/firefly/using/content-credentials.html. 

For the purpose of this testing, a series of photographs were imported into Photoshop 2024. Each photograph was enhanced using one of the Firefly AI features (Generative Fill/remove & Expand). Various saving and exporting options were systematically tested.

Each original photograph and enhanced original photograph were analyzed by:

  • Using the File Info feature in the dropdown menu of Photoshop

  • Employing a metadata reader (metadata2go website) to scrutinize the detailed metadata of each image

  • Verifying the authentication and validation of the photograph and image using Adobe’s Content Credentials website

The analysis of both the original photograph and enhanced photographs revealed the following:

  • All original photograph’s camera data (camera information & shot information) was displayed in the File Info details (contained in the File dropdown menu of Photoshop 2024)

  • All original photograph’s metadata contained camera data (camera & shot information) and a listing of other details.

  • Adobe’s Content Credentials website analyzed these photographs and displayed “No Content Credentials” because no Copyright and Contact Info was established in the Photoshop 2024 application for this testing.

  • All enhanced photograph’s (Generative Fill, removal of element(s) & Expand) camera data (camera information & shot information) metadata tags were blank

  • All enhance photograph’s metadata did not contain any camera data but did include: 

          – Software Agent: Adobe Firefly

          – Title: Generated Image

          – Claim Generator: Adobe_Photoshop/25.1.0 (build 20231016.r.120 ca99df2; mac) adobe_c2pa/0.7.6 c2pa-rs/0.25.2

          – Claim Generator Info Name: Adobe_Photoshop

          – Claim Generator Info Version: 5.1.0 (build 20231016.r.120 ca99df2; mac)

  • For all the enhanced photograph’s metadata contained the Title tag with ‘Generated Image’ and associated tags were added to the enhanced photographs, regardless of whether the “Export to” metadata setting was set to “None” or “Copyright and Contact Info.” 
  • The Adobe’s Content Credentials webpage analyzed all the enhanced photographs and displayed “This image combines multiple pieces of content.  At least one was generated with an AI tool.”

Above analysis has shown that when Photoshop’s new AI-generative features are used, the metadata is altered. Adobe has implemented a Content Credentials system that strips camera details and adds tags like “Generative Image” to indicate AI editing.

These AI tags can be viewed using metadata tools like metadata2go.com. Uploading an image to the Adobe’s Content Credential website will provide indication if AI-generative features have been applied.

AI image generated using Dream Studio AI by Sheldon Boles.

Possible Area Of Confusion For Photographers

A key concern in photo post-processing is photographers removing dust spots or unwanted objects. As this article outlines, using Photoshop’s Generative Fill tool to remove an or element will result in the Adobe Content Credential algorithm processing the image as a ‘Generative Image’ resulting in the modification of the metadata tags.

To address this issue, the following guidelines may be necessary for inclusion in photo competition specifications:

  • Images that have been created or modified using specific AI generative techniques – in-painting (where AI fills in generated elements not captured by the photographer or removed elements from a photograph) or out-painting (where the AI extends beyond the original boundaries using generated elements), whether with or without text prompts, are not permitted for submission into our photo competitions. For example, these provisions apply to Photoshop 2024 AI Generative Fill, Removal of element(s) and AI Expand.
  • For all competitions, participants must retain the original image (un-retouched JPG or RAW file) with metadata intact and carry out any editing on a duplicate of the original. This ensures the preservation of the original photograph’s metadata details and the integrity of the original image content. When requested by the competition coordinator, the participant must provide a copy of the original image. Failure to provide the original image will result in having the submitted image removed from the competition.

Photographic organizations could consider informing members to refrain from using Photoshop 2024 Generative Fill for removing unwanted objects or elements. Entrants should be encouraged to use Photoshop’s Content Aware feature as an alternative method.

For the potential winning images, photography organizations could require the respective photographers to submit their original, unedited photographs. Both the original submitted photos would then be analyzed to determine what elements have been added to or removed. The original photo metadata should contain camera details and other relevant information.

These suggestions aim to strike a balance between encouraging creative editing and maintaining the authenticity and transparency of images submitted to photo competitions.

Conclusion

The article highlights practical techniques for identifying if an image was created or altered using generative AI. Adobe has taken the lead in developing the Content Authenticity Initiative, an open standard for certifying the source and history of media content. Their algorithm incorporates this standard and was demonstrated in the article.

The Coalition for Content Provenance and Authenticity supports Adobe’s open standards, which will likely be adopted by the US government. As AI detection improves, the new techniques will supplement rather than replace techniques outlined in this article.

In early 2024, we plan to apply this methodology to other applications with AI image generation and editing capabilities, including Amazon’s Titan, Canva, Imagn, Luminar Neo 2023, Pixlr, and more. Rigorous testing of AI abilities remains important as the technology advances.

Sheldon Boles – FCAPA
CAPA Director of Competitions

April 2024 Competition News

Artificial Intelligence Question/Response

Question: Why is CAPA taking a firm stance against admitting AI-generative art images into CAPA competitions?

Response: The traditional definition of photography is closely tied to the process of capturing images via a camera or other light-sensitive device that records the real world. AI-generated art, despite its potential to create visually striking imagery, fundamentally differs from this process as it does directly record light from physical reality.

For the photographic community to potentially consider AI-generated art under a broader definition of “photography” as a new form of artistic expression, all concerns and issues surrounding AI generative images would need to be comprehensively addressed to their satisfaction first.

If the definition of “photography” was expanded, the only conceivable way for photographic competitions to incorporate AI-generated art would be through distinct, separate categories from the traditional camera-captured photographs. This segregation would be necessary to uphold the integrity of camera-based photography, as integrating AI art and photographed images into the same category would unfairly disadvantage the latter given the vastly different generative processes involved.

From the current perspective, it does not appear that the photographic community has plans to make accommodations for AI-generated art in competitions anytime soon, likely awaiting further resolution of outstanding issues around this new art form.

Photographs enhanced with AI-generated features occupy a ‘gray-area’ between traditional camera-captured images and purely AI-generated art. The crucial difference is that the AI-generated elements in these enhanced photographs did not originate from the photographer’s camera; instead, they were sourced from an AI’s dataset.

As photographic societies and associations consider whether to accept AI-enhanced images into their competitions, they will need to implement processes to distinguish between camera-captured photographs and those augmented with AI components. Such processes are necessary to prevent AI-generated content from unintentionally or deliberately entering and dominating competitions intended solely for traditional photography.

The implementation of these distinguishing mechanisms will depend on third-part AI detection software, as most photographic societies lack the resources to develop such tools independently.

For details on the issues surrounding AI-generative images – please see our article entitled “CAPA’s Stance on AI-Generated Images In Photo Competitions.

You can view this document here – (English) (French

 

Updated CAPA Eligibility Criteria Webpage

The following details have been added to our CAPA Eligibility Criteria webpage:

  • A photographer will NOT capture a screen image or photograph an image found on the internet and incorporate it in a composite image that is later submitted into our competition. All aspects of the post-processing for their submitted image were undertaken by the entrant with the exception of scanning of their negatives and printing of the image.

London Camera Club – May24 – Upcoming Presentation

The London Camera Club is offering free memberships for the remainder of the club year which ends May 30, 2024. It’s a great opportunity to get a taste of what our camera club offers its members. We have three fabulous guest speakers coming up. All meetings will be available by zoom.

Please go to the London Camera Club website and click on the membership tab to join.

 

May 16 Tony Sweet – “Compelling Composition: Isolate and Simplify” – Part 1

 

Presentation, Chock full of information, techniques, processing tips, and illustrations. Q&A encouraged throughout the program.

 

7-9 PM EDT (Daylight saving time)

Fee: $ 11.98

https://www.eventbrite.ca/e/tony-sweet-compelling-composition-isolate-and-simplify-tickets-761761809077?aff=oddtdtcreator

May 9: Padma Inguva – Seascapes (online)

7-9 PM EDT (Daylight saving time)

Fee: $ 11.98

https://www.eventbrite.ca/e/seascapes-with-padma-inguva-tickets-765412608717?aff=oddtdtcreator

May 2: Monique Campbell – Building Confidence To Shoot Street Images (online)

7-9 PM EDT (Daylight saving time)

Fee: $ 11.98

https://www.eventbrite.ca/e/building-confidence-to-shoot-street-images-with-monique-campbell-tickets-761450397637?aff=oddtdtcreator