2026 Pacific Zone Competition

2026 Pacific Zone Competition

Scope of Competition

This open theme competition accepts images captured anywhere in British Columbia or Yukon Territory. All subjects are welcome including landscape, nature, wildlife, birds, insects, people, and domesticated animals and altered reality images are permitted.

Eligibility: Open to current CAPA individual members and camera club members who permanently reside in the Pacific Zone (British Columbia or Yukon Territory).

Camera clubs may submit a maximum of five (5) images, but each must be from different photographers.  Individual CAPA members can submit a maximum of two (2) Images. 

In response to the feedback from our 2023 CAPA Survey, we have introduced the Zone Tiered Skill-level model. Details about this model can be found here:

During the image upload process for this competition, participants will be presented with a skill-level drop-down menu for each image.

All entrants should select “Novice” from the skill level dropdown menu unless they meet one of the criteria listed below.

Novice entrants may request a supportive comment from the judges by checking the appropriate box during image upload. This option is available only to Novice entrants.

Competition Process

Competition Coordinator – Cheryl Bramble – Assist CAPA Director of Competitions – cheryl-bramble@capacanada.ca

Questions about the scope of the competition and/or the editing criteria should be directed to the Coordinator well in advance of  the closing day of the competition.

Closing Date of Competition – October 1, 2026 at midnight Standard Time (Ontario).

Check out our – How To Upload Images To CAPA Competition here

Special Note : Following a period of 3 weeks after the competition’s closing date, you can access the final competition report by logging into the CAPA website and navigating to the ‘Competition Reports’ under the ‘Competitions’ dropdown menu

The following photographers will select “Advanced” from the skill dropdown menu:

  • Anthony Bucci – Bob Friesen – Christy Grinton (Martin)
  • David Laronde – Daniel Rondeau – Earl Hirtz
  • Janet Slater – Gail Stephan – Heather Loewenhardt
  • Janet Slater – John Kalley – Kathryn Delany
  • -Kathryn McGarvey – Kelly Pape – Laura Ranallo
  • Leah Gray – Lorna Scott – Martin Ross
  • Murray O’Neill – Norman Dougan – Randall Epp

One month prior to the closing of this competition, the Director of Competitions will update the listing of members in both the “Intermediate” and “Advanced” skill groups.

A Novice photographer has the option to compete in the “Intermediate” or “Advanced” skill dropdown menu. However, a photographer in the “Immediate” or “Advanced” skill level cannot compete at a lower level. Any attempt to do so will result in the respective image remaining in the competition. However, this image will not receive any CAPA award.

In cases where a club member, designated as either an “Intermediate” or “Advanced” group is selected to represent their club, the club competition coordinator will assign the appropriate “Intermediate” or “Advanced” skill level to the submitted image. It is the responsibility of the “Intermediate” or “Advanced” group member to confirm with the competition coordinator that the correct skill level is chosen.

If a Novice camera club member wishes to have their image entered into the “Intermediate” or “Advanced” categories, they must communicate this desire to their competition coordinator.

Photographers can request to elevation to a higher skill-level with supporting rationale. Request to lower skill-level will only be undertaken in exceptional cases.

NOTE – CAPA medals will be awarded to entrants with the highest aggregate scores across their submitted images in both club and individual categories. Additionally, the top three highest-scoring images in each skill level will receive merit award e-certificates.

For Zone competitions only, judges will score all of the images, and additionally one judge will ONLY provide comments on each image submitted into the novice skill category.

Maximum Submitted Images

  • Camera clubs are limited to uploading a maximum of five (5) images each from a different club member.
  • Individual CAPA members are restricted to uploading a maximum of three (3) images.

Photographers listed below will select “Intermediate” from the skill dropdown menu:

  • A. Hafeez Mian – Andrew Pugh – Angeline Haslett
  • Anita Teljeur – Andrew Pugh – Bert Sharp
  • Benny Chung –  Bill Locke – Bill Bentley
  • Cheryl Bramble –  Colleen Walden -David Guscott
  • Dale Eurich – David Guscott – David Wingate
  • Ellie Schartner – Geoffrey Shuen – George Pierce
  • Grant Stovel – Iris Schurz – Isobel Lamarche
  • James Xiang – Jason Duncan – John Kalley
  • John Lyon – Joy Ruffeski  – Kayla Stevenson
  • Lea O’Shea – Linda Jones – Llaesa North
  • Lois Burton – Lynne Kelman – Michele Broadfoot
  • Mike Wooding – Natalya Gunde – Nicholas Delany
  • Nicole Diewold – Randall Peterman – Roberta Olenick
  • Rozanne Pate – Stephanie Alexandra – Steve Barber
  • Steve Wilson – Suzanne Huot – Tharaka Mapalagama
  • Tor Nenzen – Tony Roberts – Trevor Reeves
  • Veronica Feenstra – Virginia Hayes – Yingtao Pan

Competition Details (click arrow for more details)

Editing Criteria

  • Eligibility Criteria – Prior to submitting any photo in a CAPA competition, all entrants must first read the CAPA Eligibility Criteria relating to images submissions. – READ ELIGIBILITY CRITERIA HERE
  • Permitted Editing Techniques:

Editing Techniques Permitted:

All In-Camera Techniques: Any adjustments made directly within the camera during image capture.

On-Camera Techniques: Utilizing on-camera features and settings for image enhancements.

Post-Processing Techniques: Editing the image using post-processing software.

Sky Replacement: Sky replacement but the replacement sky must have been captured by the same photographer submitting the image into the competition.

Triptychs (an image of three (3) separated images contained in a single image) are  permitted in this competition.

UPDATED – Submission Authentication Requirements – March 1, 2026

To help photographers understand which AI features are acceptable for our competition submissions, we’ve developed a “List of Approved AI Tools” webpage. 

Original Files and Metadata Protection

For all CAPA competition photographers MUST:

  • Retain your original captured images
  • Perform all editing on copies, never the originals
  • Keep originals accessible for quick retrieval, if verification is needed

Verification Requirements for Award Candidates

For potential winning entries, the Director of Competitions MAY request:

  1. Editing Narrative:Describing how the image was edited and what editing programs were used. Upon receipt of these details, the photographer will be provided step-by-step instructions on how to export the image to include the required metadata.
  2. Original Files:
    • Un-retouched JPEG or RAW files from your camera
    • For in-camera merged images: The camera-generated merged file (HDR, focus-stacked, multiple exposure, or panorama) is your original file. Individual source frames are not required.
    • For Camera Club entries: The photographer’s original image as submitted to the club, before any club modifications such as resizing, copyright additions, or other editing.

      The following administrative modifications by the club are explicitly permitted, provided that the image’s camera and editing details remain unaltered:

      • Resizing to meet CAPA pixel dimension and file size specifications
      • Adding a copyright to the metadata or club identifier, when exporting from Lightroom to JPEG at the required quality setting
      • Renaming files to comply with CAPA entry naming conventions

      Retention of the photographer’s original submission is the responsibility of the individual photographer, not the club.

  1. Working Files (choose based on your workflow):
    • Photoshop users:Layered PSD file with all editing layers intact. Users who require the flattening of their image file for functionality integrity and/or storage reasons must retain a PSD file or a set of PSD files prior to each flattening so that all editing history is retained.
    • Lightroom users:

Preferred: Original RAW file + XMP sidecar file, OR DNG file with embedded edits

Acceptable: Layered TIFF if you didn’t use RAW/XMP/DNG workflow

    • For other applications:

Original RAW file + any proprietary sidecar/settings files that preserve editing history 

These files provide a complete audit trail demonstrating compliance with competition specifications.

Compliance

Failure to provide requested image files within the specified timeframe will result in entry withdrawal and recalculation of competition results.

Accepted Image Types:

– Colour images
– Black & White images
– Colour images converted to black & white
– Infrared images which can contain a range of colours beyond black & white

Image Specifications

Title of Image

When images are uploaded into a competition, you are required to enter the title of your image into the Title Field which is now limited to 32 characters. Title can be in either  English or French.

Do Not: enter your name, the name of the photographer or the club name in the Title Field (that is for the Title of the image)

Do Not: include punctuation or symbols (such as / –_  , ; : ‘’ “” ! ? & $%*{} [ ] @ # &) or quotation marks in the Title of your image.

The Image Title should be simple, and introduce or set the mood or perspective for your image.  For example:  Sublime Nova Scotia Sunset

A weak image title, such as ‘pretty flower,’ will fail to stimulate the judge’s interest in the image and may result in a lower score than expected.

Image File Name

The image file name that you create prior to uploading into this competition should also be simple, and could be the same as the Image Title. For example: John Snow-Sublime Nova Scotia Sunset

Image Size – Dimensions

You must ensure your image is re-sized to meet the following two parameters:

  1. Saved as a jpg image with a maximum file size of 1.8 MB.
  2. Dimensions: Maximum horizontal size: 1400 pixels and maximum vertical size: 1050 pixels.
    Example of Image Sizing – Double-click to view image

Note: Images smaller than the maximum dimensions will ONLY be accepted when one of the image edges has a horizontal size is 1400 pixels or the vertical size is 1050 pixels.  For example: square image – 1050 x 1050 pixels; 1400 x 800 pixels; or 700 x 1050 pixels.

Note: Images will NOT be rotated by the judges and will scored as submitted.

During the uploading process of your image, our online competition system will verify if the image is less than 1.8 MB and meets the two parameters.

If your image fails this verification process, you will receive an error message and it will appear below the upload image box.

Depending on the error message – you will need to either reduce the file size of the image to be 1.8 MB or less or re-size the dimensions of your image.  After doing so, please re-try uploading your image.

Suggestions – Use sRGB colour space for your image.  For colour accuracy: we strongly recommend that you calibrate your monitor to ensure colour accuracy from your monitor to the image projected to the judges.

Judging Criteria

  • Judges will assign scores primarily based on the Creative Intent of the image maker. Creative Intent refers to the characteristics of originality, expressiveness and imagination in communicating a story or eliciting an emotional response that gives the image a strong and lasting impact.
  • Judges will also take into consideration in their scoring the degree to which the Organizational and Technical Components contribute to or support the Creative Intent.

*Organizational Component refers to composition/design, use of space, balancing of elements, use of lighting, and presentation of the image.

*Technical Component refers to the exposure triangle (aperture, ISO, shutter speed), sharpness, in-camera and post-processing techniques such as intentional camera movement, use of colour, monochrome, duo and multi-tone, HDR, focus stacking, or any other technique permitted by the competition rules.

  • An Image’s title may be used by the judges in evaluating a submission, so entrants should take care in selecting a title that complements or contributes to the vision or message being presented in the image.