March 2024 Competitions Update

March 2024 Competitions Update

Updated Eligibility Criteria and All Competition Editing Criteria

In order to enhance clarity regarding Artificial Intelligence, we have revised the following statements across both our CAPA Eligibility Criteria webpage and all competition editing criteria:

  • Images that involve the use of AI generative techniques like in-painting (where AI generates pixels to fill in missing parts or removes and replaces selected element from the original photograph then using replace it with pixel element from the AI’s generative dataset) or out-painting (where the AI extends the image beyond its original boundaries by generating new elements) are not permitted for submission into CAPA competitions, regardless of whether text prompts were used or not.
  • The Director of Competitions has the right to request and receive the original un-retouched JPEG or RAW file for a potential winning image in a competition for the purposes of verifying competition compliance.
  • Upon notification that their image is a potential winning entry, photographers may be required by the Director of Competitions to submit all original images, such as un-retouched JPG or RAW files, along with other image files that were integrated into the submitted image.
  • Failure to comply with the Director’s request for image files will result in the potential winning image being withdrawn from the competition and the competition results will be re-sorted.

These requirements are designed to promote transparency and validate compliance with competition’s specifications regarding image authenticity and adherence to the editing criteria. 

Furthermore, I have created a document entitled “CAPAs Stance on AI-Generated Image in Photo Competitions.”  This document serves as a comprehensive response to numerous inquiries we have received concerning artificial intelligence in the context of oru photographic competitions.  You can view this document here – (English) (French

 

Competitions Now Open For Uploading Images

Images can now be opened to the following competitions:

 

Artistic Competition

Winning Images can be viewed here:

Music Competitions

Winning Images can be viewed here:

Colour Competitions

Winning Images can be viewed here:

 

Competition reports have been posted to the Competition Results.  To view them, you must log into the CAPA website and navigate to the Competition Report option located on the Competitions dropdown menu.  If the Competitions Report option is not displaced in this dropdown menu, you are not logged into the website.

 

2023 CAPA Survey Suggestions Related to Competitions and Our Responses

In a proactive approach to carefully evaluate and implement a multitude of suggestions aimed at improving our competitions and processes, we will created documents which summaries suggestions and our responses.

The following is a listing of suggestions and response which are now available for your review:

Photographic Guild of Nova Scotia – April24 – Upcoming Presentation

Celebrating its 76th year as a club, the Photographic Guild of Nova Scotia is pleased to extend an invitation to join us for our Fred & Edie Greene Speaker series. There is no charge to attend these webinars, but donations to support the speaker series are gratefully accepted.


Reality vs Artistry vs Deception with Kas Stone takes place on Monday, April 8, 2024 at 7:30 PM ADT.


Kas is a professional photographer based in Nova Scotia, where her work is inspired by the wild coastal scenery and moody weather right outside her door. Her portfolio includes an extensive list of presentations, exhibitions and publications, with several books and feature articles in Canadian and British magazines. She favours a thoughtful, project-oriented approach to photography, exploring the landscape in the context of broader environmental and human themes.

From its very beginnings almost two centuries ago, photography has sparked controversy in the art world. In recent years the tension has escalated as sophisticated tools like Photoshop and AI software push the boundaries between reality and illusion, challenging our perceptions and posing troublesome questions about the purpose and ethics of our image-making.

Many people wonder, for instance, whether authenticity should be a requirement in a photograph and how much editing is acceptable in its creation. Are deceptive images ever acceptable? Do current trends in shooting and processing make our images more artistic, or less? Do they even qualify as “photographs”?

Join us as Kas addresses these questions candidly, using examples from her extensive portfolio of “photographic art” to inspire you to think in a new way about why and how you make your own images.


To see more of her work, visit Kas’s website

You can register by clicking here

Viewpoint Gallery (1475 Bedford Highway Unit 109, Bedford, NS, B4A 3Z5) will host PGNS from April 4-28, 2024. “Guilded” is a print exhibition showcasing the diversity of genres, styles and techniques of members of the Photographic Guild of Nova Scotia.

This is an in-person event. The opening reception will be on April 4, 2024 (6-8pm) and there will be an artist talk on Sunday April 14 (2-3pm).

CAPA’s Stance on AI-Generated Images in Photo Competitions

CAPA’s Stance on AI-Generated Images in Photo Competitions

NightCafe-robot-head-sheldon Boles-2023-11-19_07-32-36

AI Generative ‘text-to-image’ Creation by Sheldon Boles

Introduction

In light of the rapid advancements in AI-generative technology and its potential implications for the integrity of photographic competitions, the Canadian Association for Photographic Art (CAPA) has taken a proactive stance to address the use of AI-generated images and photos enhanced with AI-generative features. 

This comprehensive document outlines CAPA’s position, guidelines, and the rationale behind the organization’s approach to safeguarding the authenticity and fairness of its photographic competitions.

Why AI-Generative Images Are Not Being Accepted In Competitions?

The decision to prohibit AI-generated images in photographic competitions stems from several critical concerns that challenge the core principles of photography.

  1. Unjustified Image Scraping and Corporate Profits – AI image generators often scrape internet images without proper compensation to the original photographer or artists.  This practise raises concerns about the ethical implications of profiting from these unsuspecting image creators. By entering a prompt, the AI-generative created an image from elements contained in their AI dataset of scraped images. 
  1. Copyright Challenges The unresolved nature of copyright issues surrounding AI-generated images underscores the need for clarity in distinguishing between “intellectual property rights” and “fair usage” within the scope of AI-generative technology.  This complexity adds legal challenges that photographic societies and associations must navigate before considering the acceptance of AI-generated content.  In the United States, several AI firms are being sued for copyright infringement and the matters are before the courts.
  1. Copyright Authorship of AI Generated Images – Creators of AI-generative images are not receiving a copyright for their AI creations.  United States Copyright Office’s “Copyright Registration Guidance: Works Containing Material Generated by Artificial Intelligence” document outlines why countries are apprehensive in issuing copyrights to AI-generated images.  Their guidance document states: 

Based on the Office’s understanding of the generative AI technologies currently available, users do not exercise ultimate creative control over how such systems interpret prompts and generate material. Instead, these prompts function more like instructions to a commissioned artist—they identify what the prompter wishes to have depicted, but the machine determines how those instructions are implemented in its output.

When an AI technology determines the expressive elements of its output, the generated material is not the product of human authorship.31 As a result, that material is not protected by copyright”

The majority of photographic societies and associations require that an entrant submitting an image into their competition must hold the copyright for their submitted image. 

  1. Unfair AdvantageAccepting AI generated images in a photographic competition would create an unfair advantage, as AI algorithms are capable of producing images at a faster rate or with more precision than human photographers. 

Due to the unresolved concerns highlighted above, the recognition of AI-generated images as legitimate photographs in our competitions is contingent on the resolution of these issues.  Until then, participants submitting AI-generative images engage in fraudulent practices by presenting ineligible images for in photographic competitions, which is both deceptive and unethical.

The Majority of photographic societies and associations worldwide have adopted a firm stance, explicitly prohibiting the submission of AI-generative images and photographs enhanced with generative features. For instance, the Australian Photographic Society restricts such entries in their competitions:

Entrants must be the author of any image/s and all parts thereof submitted into an APS Competition.

All parts of the image or images must have been ‘photographed’ by the author. 

‘Content-aware Fill’ or similar modification that is entirely based on pixels in the original image/s and which does not extend the image beyond its original boundaries is ‘acceptable’.


‘Generative Fill’ or other processes that use content generated by software from written prompts or developed from the work of others is ‘not acceptable’.

Question: “Can I use Generative Fill, or similar, to create or remove an object (person, flora or fauna, building, scenery effect etc) in my image?”

  • This is not allowable if you use content generated by software from written prompts or developed from the work of others.  For example:


  • Removing an ‘unnecessary’ tree that is replaced with existing associated imagery is allowable.


  • Removing a person and replacing them with a ‘dog on a lead’ is not allowable.
    Removing the background of an existing bush scene and using text asking for a ‘beach background scene’ to be added is not allowable.


  • Using generative fill to ‘add a waterfall’ to a scene where the waterfall is not part of an image taken by the photographer is not allowable.


  • Turning a summer scene into a winter scene that introduces snow that was not part of an image taken by the photographer is not allowable.


  • It is acknowledged that this is an area of rapid change and perhaps the most contentious”

Another example reflecting a comparable stance is The International of Federation of Photographic Art (FIAP), which serves as the umbrella photographic organization consisting of 94 photographic societies and associations worldwide: 

“Info 260/2023 states:

Pictures created by artificial intelligence are not allowed in salons under FIAP patronage.  Therefore, salon organizers are asked to include the following text into the regulations of their events: 

Pictures created by artificial intelligence are not allowed in this salon!  It is reminded that all parts of the image have to be photographed by the author who is holding the copyright of all works submitted. Offenders will be sanctioned for life!”

CAPA Proactive Approach To Address AI-Generative Technology

In the Fall of 2023, we updated our CAPA Eligibility to establish ‘guard-rails’ designed to address potential submission of AI-generated text-to-image and photos enhanced with AI-generative technology: 

  • For the purposes of our competitions, a photographic image is defined “as being a captured image on a light-sensitive device (e.g. film camera, digital camera, smartphone, tablet, etc…) and recorded on film or in a digital format.”
  • An artificial intelligence (AI) generated image is not deemed to be a photographic image because it was created from scratch by the AI system and contains no image captured by the photographer.  Therefore, this type of image will not be accepted into our competitions.


  • Use of AI features contained within a post processing application (e.g. masking, sharpening, de-noise, enlarging, etc…) are permitted.


  • Images that involve the use of AI generative techniques like in-painting (where AI generates pixels to fill in missing parts or removes and replaces selected element from the original photograph then using replace it with pixel element from the AI’s generative dataset) or out-painting (where the AI extends the image beyond its original boundaries by generating new elements) are not permitted for submission into CAPA competitions, regardless of whether text prompts were used or not.


  • Potential winning images may be required to have supporting images (sky, texture, etc…which must have been captured by the submitting photographer) submitted on request by the Director of Competitions.

Furthermore, the Editing Criteria for all our competitions will be revised to include the following: 

The Director of Competitions has the right to request and receive the original un-retouched JPEG or RAW file for a potential winning image in a competition for the purposes of verifying competition compliance. 

Upon notification that their image is a potential winning entry, photographers may be required by the Director of Competitions to submit all original images, such as unretouched JPG or RAW files, along with other image files that were integrated into the submitted image.

Failure to comply with the Director’s request for image files will result in the potential winning image being withdrawn from the competition and the competition results will be re-sorted.

These requirements aim to ensure transparency and verify adherence to the competition’s specifications regarding image authenticity and compliance with the editing criteria.

Artificial Intelligence Definitions 

In recent years, many photo post-processing applications have incorporated Artificial Intelligence features in their products.  The emergence of AI-generative technology has created uncertainty among photographers regarding the acceptability of different AI features. 

To bring clarity to the realm of artificial intelligence, the following definitions are provided: 

  • Artificial Intelligence (AI) – This a branch of computer science dedicated to simulating human-like intelligence. 
  • Machine Learning – A subset of Artificial Intelligence, machine learning employs algorithms and statistical models to enable computers to learn and perform specific task.  Examples of AI machine learning features can be found in applications like Topaz Labs and On1 Photo Raw.
  • Deep Learning – Another subset of Artificial Intelligence, machine learning involves the use of artificial neural networks to model and understand complex patterns and associated relationships.  AI-generative technology is component of deep learning platforms.  Examples of AI-generative apps include Midjourney, Open AI, Stability AI, Dream Studio, Night Cafe, Photoshop 2024’s Generative featured, Adobe’s Firefly text-to-image, Luminar AI’s generative features. 
  • Text-To-Image – This is a feature of AI-generative applications that and involves algorithmically generating images from a given text prompt. It eliminates the necessity for an original photograph and incorporates elements using a dataset sourced from images scraped from the internet, resulting in a realistic and seamless composition. 
  • Image In-Painting – This feature where AI generates pixels to fill in missing parts or removes and replaces selected element from the original photograph then using replace it with pixel element from the AI’s generative dataset.
  • Image Out-Painting – This AI-generative technique extends the visual contents of an image beyond its original dimensions, offering an expansive view or a broader perspective. 
  • AI Rendering – The utilization of  AI-generative algorithms and models to either generate new visual imagery or enhance an existing image. 

Technology To Detect AI-Generated images 

For all potential winning images, we utilize a dedicated AI classifier model that has undergone rigorous testing by myself, demonstrating a 99% reliability in detecting AI-generative text-to-image creations.  This is AI machine learning model was trained on millions of examples, encompassing both AI-generated creations and human-captured images, and undergoes regular updates to ensure optimal performance with the latest generative engines.  This AI classifier is not available as a free application and required a paid account. 

Important to note, the AI classifier’s assessment is independent of the image’s metadata, providing a robust a comprehensive analysis.  All potential winning images are subjected to this assessment. 

Below is an example of the analysis conducted by our AI classifier. 

Screen capture of an image that has been evaluated using an AI classifier which had correctly identified the image as being an AI-generated image using Midjourney.

Technology of Photographs Enhanced with Generative Features

As a founding member of the Content Authenticity Initiative (CAI) and its associated standards organization, the Coalition for Content Provenance and Authenticity (C2PA), Adobe is actively collaborating with AI technology firms to establish open standards and enhance transparency regard the origins, facts, and creators of digital content.

On October 10, 2023, Adobe unveiled the official launch of the Firefly (text-to-image) AI generation website and Photoshop 2024 featuring the integration of Generative Fill and Generative Expand functionalities.  Notably, both the Firefly website and Photoshop now incorporate the advanced Firefly algorithm.

Upon activation of the Generative Fill and Generative Expand features in Photoshop 2024, the following outcomes occur: 

  • Camera detail are stripped from the image metadata.
  • A new metadata tags are created, featuring freshly created narrative labels as “Generated Image” and “Adobe Firefly.”

SPECIAL NOTE – In the Generative Fill feature, by using either the Lasso Tool or the Elliptical Marquee Tool to select a specific area, the Generative Fill menu will be triggered.  Should your objective be to eliminate a designated region in the image using Generative Fill, the Firefly algorithm will promptly mark the image’s metadata with tags “Generated Image” and “Adobe Firefly.

Example of an element being removed with Adobe 2024 Generative Fill below. 

Screen capture example of Photoshop 2024 Generative Fill feature to remove an element from an image. 

The following screen capture illustrates an instance of what the Adobe Firefly algorithm adds to the image’s metadata when the mentioned element is excluded from the original image using Generative Fill (with or without a prompt being entered).  The alternations to the image metadata occurs upon activating both the Generative Fill and Generative Expand features.

Screen capture of metadata2go.com’s viewing of the image metadata, containing the Firefly’s addition of “Generated Image” designation from activated the Adobe 2024 Generative features.

Not all metadata readers can access the full image metadata. One free metadata which does provide access to the image metadata is https://metadata2go.com.  You may wish to become familiar with this website and check your image prior to submitting into one of our CAPA competitions.

Below is an example of an image analyzed by Adobe’s Content Credential website (https://contentcredentials.org/verify).

Screen capture from Adobe’s Content Credential website, outlining analysis of an image edited in Photoshop 2024 using the Generative Fill feature.  As indicated by the highlighted area in red, this image incorporates an element generated with an AI tool.

In our scrutiny of all potential winning images, each will undergo thorough evaluation through various verification and authentication processes.  If an image is discovered to contain the metadata tag “Generated Image,” it will be removed from the competition, the entrant will be advised and the results will be re-sorted.

In Photoshop 2024, several tools can be employed to eliminate areas of an image without triggering the Firefly algorithm.  These tools include: 

Screen capture of permitted Photoshop 2024 features for use in our photo competitions. that are permitted in our photo competitions.

What applications contain AI-generative features?

We have received numerous inquiries about other applications that incorporate AI-generative features. 

As of March 10, 2024, only two applications incorporate AI-generative technology:  

  • Adobe 2024 – details of these features are outlined above. 
  • Luminar Neo – contains – GenErase, GenSwap & GenExpand.

In CAPA photo competitions, the inclusion of AI-generative features in any photo post-processing application is not permitted. Nevertheless, various other photo post-processing applications do incorporate Artificial Intelligence (machine learning AI models) features that are allowed for use in our competitions. 

When using these accepted features, it is imperative to emphasize that these features must comply with the competition’s editing criteria, avoiding the introduction of elements to an image that the photographer did not originally capture.   

As of March 10, 2024, the following is a list of machine learning AI features which are permitted for use in our photo competitions: 

  • Luminar Neo includes tools like AI Structure, AI Sky Replacement, AI Skin Enhancer, and more that utilize machine learning algorithms to automate and enhance photo editing tasks.
  • ON1 Photo RAW includes tools like AI Auto Enhance, AI Match Batch Processing, and AI No-Noise AI which aim to streamline photo editing workflows.
  • DxO PhotoLab  includes DeepPRIME AI technology for tasks like denoising, sharpening, and PRIME deblurring powered by machine learning. 

NOTE – In August 2023 – a DXO representative stated “I asked for something simpler to fill in missing edges, like Content Aware Fill or something similar. Generative Fill AI, I don’t think is likely to come from a company like DXO for variety of reasons.”

  • Topaz Labs AI includes Gigapixel AI for upscaling images, DeNoise AI, and Sharpen AI leveraging deep learning models.

NOTE: As of January 16, 2024, Topaz Lab representative stated “we aren’t currently making use of Generative AI as of yet but I can say that this feature is being investigated by our development team for the future version of Gigapixel AI.”

Closing Comments

CAPA remains steadfast in its commitment to upholding the integrity of photographic competitions and preserving the authenticity of the art form. As AI-generative technology continues to evolve, we will remain vigilant in addressing any emerging challenges or implications that may arise for our competitions. Our dedication to maintaining a clear delineation between authentic photography and AI-generated content is unwavering, ensuring a level playing field and fair competition within our esteemed photographic community.

We encourage our members and participants to stay informed and engaged as we navigate this rapidly changing landscape together. CAPA will continue to provide timely updates, guidance, and educational resources in our monthly CAPA News announcements and in our Competition News webpage. 

If you have any questions, concerns, or insights to share, please feel free to reach out to me at competitions@capacanada.ca. Your feedback and input are invaluable as we collectively strive to preserve the integrity and spirit of photographic art.

 

Sheldon Boles – FCAPA

Director of Competitions CAPA

Voices of the Silent Generation by Stella d’Entremont

Voices of the Silent Generation by Stella d’Entremont

Our very own Stella d’Entremont’s – President of CAPA – Voices of the Silent Generation, exhibition is currently on at the Musée acadien at the University of Moncton, New Brunswick. 

Following the opening of this exhibition, Stella was featured on CBC News on March 2, 2024

https://www.cbc.ca/news/canada/new-brunswick/moncton-artist-exhibits-silent-generation-1.7130720

Giving ‘voice’ to the women of her mother’s generation, this exhibition is a profound celebration of culture, resilience, and the indomitable spirit of Acadian women. It is a captivating photo exhibition, shedding light on the stories and experiences of these often-silent heroines. The exhibition serves as both a visual feast and a poignant narrative, giving voice to the rich tapestry of Acadian women’s lives.

Stella had been working for over 4 years on this project and has also published an accompanying book of the same name, with photographs and interviews of 36 Acadian women from the Maritimes and Louisiana.

The collection of monochrome photographs artfully captures the essence of Acadian women—mothers, daughters, and pioneers whose stories have long been whispered by the wind but are now boldly echoed through the lens of Stella. Each frame captures a portrait and a close look at the hands of the women. It is a testament to the strength, grace, and resilience that define these women and their contributions to their communities and heritage.

The exhibition goes beyond merely showcasing images; it becomes a vessel for storytelling, offering viewers a glimpse into the lives of Acadian women of a generation past.

Through her lens, Stella has given these women a platform, bringing their stories to the forefront. It is a visual testament to the power of art to break the silence, to elevate the stories of those who have been overlooked.

 

This exhibition is open until April 28, 2024, and for those who can visit Moncton, it will certainly be a visual treat. 

Congratulations to Stella on this amazing project and exhibition!

A white lady with blonde hair, wearing glasses.

A shot of walls with frames.

Follow this link for more information on the bilingual book representing the exhibition. https://www.milliepphotography.ca/store/p80/ACADIENNES.html

Toronto Camera Club – March24 and April24 – Upcoming Presentation

Hi everyone,

The Toronto Camera Club’s Talking Photography Lecture Series is now into its Spring session and here’s a listing of presenters coming up in March and April.

Note: All of these presentations are on Zoom only.

Tickets for non-Toronto Camera Club members are $10 and the links are all listed in the information below.

It looks like a terrific series – hope to see you join us.

All the info can be found on the Toronto Camera Club website under Talking Photography or by Email at: lectureserieschair@torontocameraclub.com

Cheers, Gareth Jones, TCC CAPA Rep.

Learning How to See – Lukasz Palka – 21 March 2024 – 7:30pm

This presentation will be offered in online (Zoom) format only.

Lukasz Palka is a Polish born American photographer residing, since 2008, in Japan. He is an urban photographer interested in all aspects of the Tokyo Metropolis — its people, its infrastructure, and the endless stories that unfold in the city’s streets.
He photographs in multiple genres — street photography, urban landscape, urban exploration, and others.
Though his work is varied, it is aimed at one goal: a personal portrait of a great city.

From its rooftops to its underbelly, Tokyo has fascinated him since he first arrived there nearly two decades ago. When often asked what it is about Japan or about Tokyo that he likes most, he finds it impossible to narrow it down to a single aspect – the city breaths like a living organism, energy ebbs and flows within it, while humans and traffic pump through its arteries as though propelled by a beating heart. One is easily enchanted and intoxicated by this environment of light and concrete, a stage to the dramas of life. The only way for him to comprehend and convey these notions, says Lukas, is through photography.

https://www.lkazphoto.com

Reality vs Artistry vs Deception in Photography – Kas Stone – 28 March 2024 – 7:30pm

This presentation will be offered in online (Zoom) format only.

Kas Stone is a professional photographer based in Nova Scotia, where her work is inspired by the wild coastal scenery and moody weather right outside her door.

Her portfolio includes an extensive list of presentations, exhibitions and publications, with several books and feature articles in Canadian and British magazines.

She favours a thoughtful, project-oriented approach to photography, exploring the landscape in the context of broader environmental and human themes.

https://www.kasstone.ca

Faces in the Street, Candid and Camera Aware People Photography – Monique Campbell – 04 April 2024 – 7:30pm

This presentation will be offered in online (Zoom) format only.

Monique Campbell is a humanist street photographer that aims to make story-telling images that linger with her viewers.

In addition to photographing in Hamilton where she lives, she enjoys hitting the streets in various cities across Ontario and will be on the streets of Lisbon and Porto, Portugal this January 2024.

Monique has developed a new talk Faces in the Street, Candid and Camera-Aware People Photography where she will discuss her process and give ideas on how to make photographs from a humanist approach.

Her award-winning photographs inspire beginners and experienced photographers alike. In 2023, she exhibited at over 15 juried exhibitions in Ontario and South Carolina, U.S.A. The jurors for the Women’s Art Association of Hamilton’s exhibition Perception chose her photograph Abandoned Chesterfield #2 as Best in Show at the Art Gallery of Hamilton last April. Also, Monique’s street image, Portrait of a Flemish Man placed third at the Visual Arts Mississauga exhibition, Why Do You Create?

https://www.momentsbymonique.com/home

Behind the Scenes – Alice Zilberberg – 13 April 2024 [Saturday Morning] – 11:00am

This presentation will be offered in online (Zoom) format only.

Alice Zilberberg is an internationally acclaimed, award-winning artist, recognized by curators, collectors, and art patrons across the globe. Born in the former Soviet Union, she was raised in Israel, then moved to Canada, and now resides in Tel Aviv. A graduate of Ryerson University’s Photography program, she began her artistic practice by painting: a verve which remains very present in her works. The winner of numerous prestigious competitions, her accolades include receiving the Hasselblad Masters award, as well as 1st place titles in competitions such as the International Photography Awards, the Julia Margaret Cameron Awards, and the Fine Art Photography Awards.

Her work has been exhibited in galleries and museums worldwide, next to renowned artists such as Ansel Adams, and Imogen Cunningham. She has been interviewed and featured in publications and platforms such as MTV, Breakfast Television, and CBC.

For over a decade, Zilberberg developed her own distinctive technique for creating her digital paintings, where photography is only the beginning of the final artwork. The works are comprised of many photographs, and carry variety of elements such as colour, toning, manipulation, and painting. She often travels across the globe to record different backgrounds and elements for her creations. Works take months to complete, with every detail meticulously inspected for perfection. With a poetic style of expression, the meanings of her images unravel through metaphor and symbolism. For the past few years, her repertoire has explored themes pertaining to nature, the human condition, and emotionality.

https://alicezilberberg.com

London Camera Club – March24 and April24 – Upcoming Presentation

March 21: J.P. Stones – Storytelling for Photographers

7-9 PM EDT (Daylight saving time)

Fee: $ 11.98

https://www.eventbrite.ca/e/jp-stones-storytelling-for-photographers-tickets-760843552547?aff=oddtdtcreator

April 4: Shaun Antle – My Photographic Journey (in-person & on-line)

7-9 PM EDT (Daylight saving time)

Fee: $ 11.98
https://www.eventbrite.ca/e/shaun-antle-my-photographic-journey-tickets-765415758137?aff=oddtdtcreator

April 11 Terry Parker – Wildlife – To be confirmed

7-9 PM EDT (Daylight saving time)

Fee: $ 11.98

If you have questions or require further information please contact Program Director by Email: programslondoncameraclub@gmail.com

Surrey Photography Club March-April 2024 Upcoming Presentation

FREE Online Presentation: Monday, March 25, 2024 at 7:00pm

Minimalist Photography with Judy Hancock Holland.

More info by clicking here

 

St.Catharines Photographic Club Spring 2024 Photography Seminar

REGISTRATION NOW OPEN

Spring Seminar with OM Ambassador Peter Baumgarten sponsored by OM SYSTEM

Date – April 20, 2024 from 9:00-4:30. Doors open at 8 a.m.

Location – Grantham M.B. Church, 469 Grantham Ave, St.Catharines, Ontario Canada

Cost: $60 Canadian – all you need to bring is a clipboard and pen. Food and drinks provided.

Schedule

Doors open at 8:00
9:00 – Into the Landscape – strategies to improve your landscape photography
10:30 – Break
11:00 – Into the Wild – Wildlife Photography Techiques
12:00 – Lunch provided in Seminar pricing
1:30 – Shoot for the Stars – techniques to improve your Astro-landscape photography
3:00 – Break
3:30 – Seeing Differently – creating more interesting compositions

Link to website for additional information by clicking here.

This video explains Peter better than words but his bio is below.

For images by Peter visit his website, his Instagram or his Facebook Page 


Who is Peter Baumgarten?


He is an award-winning professional photographer, OM SYSTEM Ambassador and educator based on Manitoulin Island where the stunning nature surrounding him inspires his work. He picked up his first camera at the age of 12 and was instantly hooked. Inspired by Canadian photographer, Freeman Patterson and his book, “The Art of Seeing” Peter is always striving to see the world in ways that most people miss.

Peter regularly leads photography courses and workshops for novice and enthusiast photographers and travels across North America as an Olympus Visionary providing lectures and seminars on landscape, wildlife, and astrophotography. As owner of Creative Island Photography, Peter has turned a life-long interest into a second career. His love of the craft has also become a great excuse to continue his other passion – exploring the great outdoors through wilderness camping, canoeing and kayaking.

Osoyoos Photography Club Exhibition

Osoyoos Photography Club are collaborating with Artists on Main for a gallery exhibition titled ‘Pixels and Paint’ March 30 to April 20, 2024 at the ART Gallery Osoyoos.

For this unique show, 12 photographers paired up with 12 painters, painting their interpretation of a selected photograph.
We will display each photo print next to the painting for this exhibition, along with other photographs from our photo club members.

Exhibition dates – March 30 to April 20, 2024
Location: ART Gallery Osoyoos
Address. 8713 Main St, Osoyoos, BC

Link to website for additional information by clicking here.

01 Merv Graf 2 - Barbara Freese
02 Randy Rotheisler 1 - Diane Zorn 'Round Midnight copy
03 Mike Fitzpatrick 3 - Jane Scheffler retired copy
04 Ian McCoan 1 - Jane Scheffler C62A7148 copy
05 Merv Graf 3 - Sandra Albo 26 Feb 2023 Aurora 8-19 PM 230226-113 X copy
Vancouver's Granville Street is lit up in lights. The city's abundant rain intensifies the colours of the light as it is reflected on the pavement.
07 Merv Graf 7 - Shirley Trites I 200614-96-B-16x16 copy
08 John Nearing 5 - Shirley Trites Fleeting Image copy
4x6 CARD Topaz GIGA DNG
10 John Nearing 1 - Shirley Trites Dream Scape copy
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Mississauga Camera Club Feb24. Update

Online Presentation: Thursday, Feb. 15, 2024 at 7:00pm

Understanding Creativity, presented by Joe Edelman (www.joeedelman.com)

You can register by mail: MeetingGuest@MississaugaCameraClub.ca

The fee is 10.00$

 

Online Presentation: Thursday, March 07, 2024 at 7:00pm

The Message Behind the Image, presented by Jean-Francois Seguin (www.jeanfrancoisseguin.com)

You can register by mail: MeetingGuest@MississaugaCameraClub.ca

The fee is 10.00$

Photographic Guild of Nova Scotia Feb24. Update

Celebrating its 76th year as a club, the Photographic Guild of Nova Scotia is pleased to extend an invitation to join us for our Fred & Edie Greene Speaker series. There is no charge to attend these webinars, but donations to support the speaker series are gratefully accepted.

 

Monday, March 11, 2024 – Hazel Meredith (Rescheduled from December 11, 2023)

Working with Textures and Overlays – Turn Ho-Hum into a Work of Art with Hazel Meredith, APSA, HonNEC takes place on Monday, March 11, 2024 at 7:30 PM ADT. Hazel Meredith is an award-winning photographer and a sought-after teacher, speaker, and competition judge. She and her husband, Dave, produce the “Virtual Creative Photography Conference” with attendees from around the world. Hazel loves the creative aspect of photography and postprocessing, especially the use of textures and software to create unique images. In 2020, she was the recipient of the Ashbrook Award for Digital Imaging Instruction from the Photographic Society of America.
In this webinar, Hazel will discuss how to create your own textures using layers and blend modes to create a beautiful work of art.

To see more of Hazel’s work, visit her website 

You can register by clicking here

 

Sunday, March 17, 2024

Atlantic Canada, the Cradle of Photography in Canada by Jeff Ward takes place on Sunday, March 17, 2024 at 7:30 PM ADT.

An amateur historian and retired professional planner, Jeff Ward publishes regularly in Photographic Canadiana, the journal of the Photographic Historical Society of Canada. Since 2015 he has focused his research on identifying and documenting the photographers who were active in the four Atlantic Provinces in the first 100 years of photography – 1839 to 1939 – in an adventure he calls The Early Light Project.

This presentation will cover the first 25 years of photography [1839-1864] in the Atlantic Region (New Brunswick, Nova Scotia, Prince Edward Island and Newfoundland and Labrador) and will include nationally significant events which happened in the region at this time. It will also discuss the types of photography being undertaken (covering the gamut from sun prints to albumin based emulsions), as well as some of the personalities involved.

You can register by clicking here.

February 2024 Competitions Update

February 2024 Competitions Update

Authenticity – Immediate Change To Competition Requirements

Question #1:

Why is CAPA now requiring submitted images to include full metadata, and there may be a requirement to submit all original image files with complete metadata?

The Response:

We have added the following details to all our CAPA photo competition webpages: Image Metadata Required: For all competitions: it is mandatory that your submitted image includes complete image file metadata. Alternatively, if your image is chosen as a potential winning entry, you will be required to provide the original images (e.g., un-retouched JPG or RAW files) used in developing the submitted images. Ensure that all requested files maintain the full image file metadata.

Metadata plays a crucial role in authenticating photographs, serving as a detailed record of the image creation process. It encompasses information about the camera, lenses, editing software, potential AI generative features, and even geo-location data. Consistent and comprehensive photographic metadata acts as a ‘fingerprint,’ verifying the originality of claimed photographic work.

While some photo post-processing applications allow metadata removal upon image export, most applications retain this information. Consequently, metadata requirements are generally not a concern for the majority of photographers.

In the evaluation of potential winning images, we implement stringent processes to differentiate between AI-generative images and photographs enhanced by AI generative features. These processes include, but are not limited to:

  • Entrants may be required to submit all original images contributing to the creation of the submitted image. Failure to provide the requested image files will result in having the potential winning image removed from the competition. Competition results will then be re-sorted.
  • Thorough analysis of the metadata associated with the submitted image and all contributing images.
  • Missing or manipulated metadata may raise suspicions about the image’s 100% originality.
  • Utilization of forensic analysis tools to scrutinize elements of both the submitted image and contributing images.

Application of an AI classifier with a verified reliability of 99% in detecting AI generative images.

By implementing these measures, our objective is to strike a balance between embracing innovation and new technology while upholding the core values of photographers – authenticity and creativity. This commitment ensure that winning images truly reflect the skill and artistry while at the same time maintaining the integrity of our competitions.

If you have a question or issue relating to your image and possible submission into one of our competitions, you can email me at competitions@capacanada.ca

Question #2:

If I am not permitted to use the Adobe Photoshop’s Generative Fill to remove elements in an image, what other options are available to me which are permitted?

The Response:

Unwanted elements in an image can be eliminated through various tools, such as the clone stamp tool, content-aware fill, and remove brush.

It’s essential to note a restriction due to the behavior of the Adobe Firefly algorithm in Photoshop. This algorithm alters image metadata when any generative features are activated. Specifically, when using Photoshop Generative Fill (for adding or removing elements) or the Expand feature, the Firefly AI algorithm removes camera details and introduces multiple metadata tags. One of these tags is labelled “Title” with the data value of “Generative Image.”

The new Google Bard AI/Gemini AI creates a similar metadata tag called “Credit” and has corresponding details of “Made by Google AI. ”

These added metadata tags and narrative are not accessible by EXIF Editors.

 

Ontario Zone Competition

For this competition, we received a total of 150 images (75 from 15 clubs & 98 from 50 photographers). One new camera club submitted images into this competition for the first time – Camera Club of Ottawa. In addition, 5 new photographers participated in this competition.

Winning images can be viewed here:

Two of the three judges did provide supportive comments on submitted images. These comments can be viewed here:

Quebec Zone Competition

For this competition, we received a total of 122 images (34 from 7 clubs & 88 from 46 photographers). Nine new photographers participated in this competition for the first time.

Winning images can be viewed here:

Team of judges provided supportive comments for all images submitted. These comments can be viewed here:

 

Competitions Now Open For Uploading Images

  • Atlantic Zone (closes March 30, 2024) – see competition details here
  • Prairie Zone (closes March 30, 2024) – see competition details here

 

2023 CAPA Survey Suggestions Related to Competitions and Our Responses

In a proactive approach to carefully evaluate and implement a multitude of suggestions aimed at improving our competitions and processes, we will created documents which summaries suggestions and our responses.

The following is a listing of suggestions and response which are now available for your review:

FIAP Distinctions 2024 Application Deadline

If you live in Canada and are a member of CAPA either as a member of a CAPA member club or as an individual member of CAPA and you have entered your photographs in international exhibitions/ salons you may be able to apply for a FIAP distinction. FIAP Distinctions are granted to individuals who have achieved success in international competitions/ salons, and are now almost necessary if you wish to judge internationally.

 

The closing date for all 2024 Canadian applications for FIAP Distinctions is April 1, 2024.


If you wish further information please contact David Laronde, FIAP’s Liaison Officer for Canada, at davidrlaronde@gmail.com

Latest News From The Richmond Photo Club Society

On November 28, The Richmond Photo Club held a Print Evaluation evening at the Thompson Community Centre in Richmond, BC. This event was very well attended. 32 prints were submitted by our members and 27 of these achieved award recognition.

Our CAPA certified judge for the evening was Neil Le Nobel.

We are very pleased to be able to show a few of the Gold recipients publicly on The Richmond Arts Council Website. You can view these outstanding images by clicking on this link.

The Artists and the titles of their works are noted below:

Up Up in the Sky Albert Tsai
The Swan Flies Away Albert Tsai
Pansey Movement Gerry Boretta
Colorful Cuba Juliet Fricker
Vietnamese Pipe Smoker Juliet Fricker
Dawn at Fisherman’s Wharf Kyoko Kimura
In The Image of a Body Builder Susan Olsen
Crown Jewel on Waterfront Eva Sylvanna Wong
An evening of illumination and reflection Eva Sylvanna Wong
Temples of Bagan in Myanmar Urs Fricker
Beauty in Ethiopia Urs Fricker

We thank all our club participants for their contribution to this event. We look forward to showing more of our members works throughout 2024!

CAPA Digital Salon 2024 – Coming Soon

 

MARK YOUR CALENDARS AND SPREAD THE WORD:


Monday, January 15th, we launch the CAPA DIGITAL SALON 2024.
Embrace the thrill of competition with 5 captivating categories and a chance to win over 150 prestigious awards, including 5 IAAP Diplomas! Whether you’re a novice exploring the art of photography or an advanced maestro, CAPA welcomes photographers of all levels, members, and non-members alike, to compete in its first international salon.
Visit CapaSalon.ca for more details; or email Info@CapaSalon.ca


May the lens be in your favor,

Canadian Photography Conference – Coming Soon

COMING SOON – CAPA brings to you, this summer, at the University of British Columbia Okanagan Campus, an exciting conference line-up of photography specialists, presenting their genre of expertise in lectures and workshops. Field trips include half-day, one and two day packages, including wine tours and even a game of golf for your choosing, and so much more… Join us at the Gala Dinner and Salon Awards Ceremony. Watch this space for Early Bird Specials, including discounted Air Canada fares to Kelowna.
Please send inquiries to conference@capacanada.ca

 

AIR CANADA, THE PREFERRED AIRLINE OF THE CANADIAN PHOTOGRAPHY CONFERENCE 2024

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January 2024 Competitions Update

January 2024 Competitions Update

Competitions Now Open For Uploading Images

  • Artistic (closes on Jan. 30, 2024) – see competition details here.
  • Music (closes on February 15, 2024) – see competition details here.
  • Colour (closes on March 1, 2024) – see competition details here.

IMPORTANT NOTICE – Global Changes to All Competition

Based on our recent extensive study of AI-generative image technology, we have implemented the following revisions to our CAPA Eligibility Criteria webpage and updated all competition Editing Criteria to include the following:

  • Artificial Intelligence Renderings: Images that have been created or modified using specific AI generative techniques – in-painting (where AI fills in generated elements not captured by the photographer or removed elements from a photograph) or out-painting (where the AI extends beyond the original boundaries using generated elements), whether with or without text prompts, are not permitted for submission into a CAPA competitions.
  • Image Metadata Required: For all competitions: it is mandatory that your submitted image includes complete image file metadata. Alternatively, if your image is chosen as a potential winning entry, you will be required to provide the original images (e.g., un-retouched JPG or RAW files) used in developing the submitted images. Ensure that all requested files maintain the full image file metadata.

Example of Image Sizing

The Vernon Camera Club suggested that we include an image example on the sizing of images being submitted into our competitions.

We have accepted this suggestion and it is being added to all CAPA competitions.

The hyperlink is found under the Image Size – Dimension section of each competition webpage. You can view this example here.

2023 CAPA Survey Suggestions Related to Competitions and Our Responses

In a proactive approach to carefully evaluate and implement a multitude of suggestions aimed at improving our competitions and processes, we will created documents which summaries suggestions and our responses.

The following is a listing of suggestions and response which are now available for your review:

Director of Communications Posting

The Director of Communications is a volunteer CAPA Board Position with overall responsibility for the Communications Program. The Director ensures coordination, cross-promotion and consistency of information through all of CAPA’s communication channels, including the Website, Facebook Pages and other Social Media, Canadian Photography Magazine, CAPA Monthly Newsletter and Email Communications with CAPA constituents.


Please see the full position description for more details.


This position starts immediately as an appointment until the June 2024 AGM at which time the position will be open for election.


If you have the skills, experience and an interest in serving on the CAPA Board in this position, please contact:


David Laronde, FCAPA
Chair, CAPA Nominating Committee
davidrlaronde@gmail.com

New DR for the Mid Vancouver Island District

CAPA is pleased to announce the appointment of Jean Hamilton as District Representative for  the Mid Vancouver Island District in BC.

With the encouragement and support of a friend Jean joined the Cowichan Valley Camera Club (CVCC) in 2011, as a way to advance the development of her creative expression. At the same time, she was motivated to progress to using a digital single-lens reflex camera (DSLR).

Land/seascapes along with nature and animals are favourite subjects with a special interest developing for evening/night/morning photography plus black and white photos. Recently Jean has been enjoying the process of turning her photos into Abstract Art. Jean’s images can be found in private collections and can be viewed online at: https://pbase.com/cvcc/mg_jean_h.

In 2012, Jean became the Treasurer of the CVCC and an individual CAPA member in 2013. For many years, Jean has been the club’s CAPA club coordinator, BC/Yukon Interclub club liaison and since the Fall of 2022the BC/Yukon Interclub secretary. In addition, Jean has been looking after the CVCC website for the past few years.

Welcome to the CAPA Team!